34. Quirky but Perky, by moonlight

34. Quirky but Perky, by moonlight

A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures

33. Night-for-day at Kaihoka, Golden Bay

33. Night-for-day at Kaihoka, Golden Bay

Unusual daylight effects, movement and a surprise cameo role for the woman-in-magenta

32. Waimarama church at night, Hawkes Bay

32. Waimarama church at night, Hawkes Bay

Car lights add highlights to a country church while the moon hides behind the steeple

31. A winter’s walk to Groom Creek, Nelson

31. A winter’s walk to Groom Creek, Nelson

Slow photography while out with friends; the extra dimension to night photography

30. Foreshore wind-wand at night, New Plymouth

30. Foreshore wind-wand at night, New Plymouth

A subject in motion against a moving background; tungsten one last time

29. Moonlit cherub, Waimea West, Nelson

29. Moonlit cherub, Waimea West, Nelson

Wide angle vertical composition; depth of focus and a figurine

28. Twilight at the MDF plant, Waimea Inlet, Nelson

28. Twilight at the MDF plant, Waimea Inlet, Nelson

Balancing the last of the day with industrial lighting; the tungsten setting and colour temperature

27. St Mary’s evening vigil, Nelson

27. St Mary’s evening vigil, Nelson

The Holy Mother looks out on city lights; the subtlety of moonlight

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

A broad daylight effect; quicker people pix by moonlight; focus and movement

25. Holy Virgin & Infant, Brook Reservoir, Nelson

25. Holy Virgin & Infant, Brook Reservoir, Nelson

A surreal study with a figurine; flowing water effects by long exposure.

24. The rock Paritutu at night

24. The rock Paritutu at night

Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

A moonrise after dark; waiting to see something appear in the viewfinder

22. Te Mata moonrise, Hawkes Bay

22. Te Mata moonrise, Hawkes Bay

Photo ops on the evening before full moon; the three-punch theory of composition

21. Wind-blown trees and a long exposure by moonlight

21. Wind-blown trees and a long exposure by moonlight

Daylight effects and the blur of the wind. Scope versus depth: a hard choice.

20. Spring willows and traffic from Waimarama, Hawkes Bay

20. Spring willows and traffic from Waimarama, Hawkes Bay

Matching exposure time to the event in witness; moving away from the obvious vantage points

19. Moonlight view to Cape Kidnappers, Hawkes Bay

19. Moonlight view to Cape Kidnappers, Hawkes Bay

Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000

18. Pineapple Drive by moonlight, Waimarama, Hawkes Bay

18. Pineapple Drive by moonlight, Waimarama, Hawkes Bay

Fun with car light trails; balancing car lights with much dimmer moonlight.

17. A grove in early spring, and a moonlight metaphor

17. A grove in early spring, and a moonlight metaphor

Moonlight draws the veil; a stallion becomes a pony.

16. Moonlit Moturoa from Back Beach, at Paritutu

16. Moonlit Moturoa from Back Beach, at Paritutu

The big camera out on a wind-swept beach, well before full moon.

15. Leaving Port Taranaki at midnight

15. Leaving Port Taranaki at midnight

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

14. Moonlit mountain from Kent Rd, Taranaki

14. Moonlit mountain from Kent Rd, Taranaki

Swirling cloud in intermittent moonlight; problems with viewing in the dark and high ISOs.

13. Lake Rotoiti under full moon, Nelson Lakes National Park

13. Lake Rotoiti under full moon, Nelson Lakes National Park

Half an hour on an autumn evening, along the pebbly shore; in compositional thirds.

12. Moonlit mountain from Paritutu, New Plymouth

12. Moonlit mountain from Paritutu, New Plymouth

A last shot before the clag closed in; moonlight balanced with a floodlit pylon.

11. Self-portrait by moonlight, Jack’s Bay, Otago

11. Self-portrait by moonlight, Jack’s Bay, Otago

Travelling with two tripods, a calendar photographer records his own work one quiet night on the beach.

10. Moonlit surf on the Boulder Bank, Nelson

10. Moonlit surf on the Boulder Bank, Nelson

An invisible line of surf on a rocky shore; getting close enough but not too close.

Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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