A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures
Unusual daylight effects, movement and a surprise cameo role for the woman-in-magenta
Car lights add highlights to a country church while the moon hides behind the steeple
Slow photography while out with friends; the extra dimension to night photography
A subject in motion against a moving background; tungsten one last time
Wide angle vertical composition; depth of focus and a figurine
Balancing the last of the day with industrial lighting; the tungsten setting and colour temperature
The Holy Mother looks out on city lights; the subtlety of moonlight
A broad daylight effect; quicker people pix by moonlight; focus and movement
A surreal study with a figurine; flowing water effects by long exposure.
Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails
A moonrise after dark; waiting to see something appear in the viewfinder
Photo ops on the evening before full moon; the three-punch theory of composition
Daylight effects and the blur of the wind. Scope versus depth: a hard choice.
Matching exposure time to the event in witness; moving away from the obvious vantage points
Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000
Fun with car light trails; balancing car lights with much dimmer moonlight.
Moonlight draws the veil; a stallion becomes a pony.
The big camera out on a wind-swept beach, well before full moon.
Monochrome in sepia; a vessel leaves port on calm seas, at high moon.
Swirling cloud in intermittent moonlight; problems with viewing in the dark and high ISOs.
Half an hour on an autumn evening, along the pebbly shore; in compositional thirds.
A last shot before the clag closed in; moonlight balanced with a floodlit pylon.
Travelling with two tripods, a calendar photographer records his own work one quiet night on the beach.
An invisible line of surf on a rocky shore; getting close enough but not too close.