clouds

Flotsam on a twilit tide

Flotsam on a twilit tide

0679 Flotsam on a twilit tide, Golden Bay. 8.30pm, 5 March 2015 In photography the golden hour before sunset is followed by the blue hour of developing darkness. The blue cast can be mitigated with a light balance setting above “Direct sunlight”, which in degrees Kelvin measures about 5500. On the Nikon D700 you can […]

Mystic pool, Whatipu

Mystic pool, Whatipu

7753. Mystic pool, Whatipu. 3.53pm, 12 June 2014 The crowds have gone and the druids have left the rostrum. All the devotees who waited so patiently for immersion are now initiated, have packed their tents and left for the long return to their temples. Soon night will fall and the whole arena will be reclaimed by […]

Bold sentry, Paritutu evening

Bold sentry, Paritutu evening

3409 Bold sentry, Paritutu, New Plymouth. 11.34pm, 21 July 2013 I admit to some anxiety parading a mannequin in a public place late at night, being too old for the art student look, so I was relieved to have this popular venue to myself for the duration. The torso was a gift from my daughter, […]

Brewster’s Best Assorted

Brewster’s Best Assorted

0085 Brewster’s Best Assorted. 9.28pm, 4 February 2015 I believe this is more biscuit tin than chocolate box, which is an elevation of one step in the Brewster Heirarchy of Fine Art. At least it is free of ferns and magnolias. From notes made some years ago I see that the three levels above “Biscuit […]

Summer moonrise

Summer moonrise

0020 Summer moonrise. 8.54pm, 4 February 2015 A twilight moon always rises over a flat landscape – in lighting terms, at least, after sunset. Two strong aids to composition, much to my liking, are silhouettes and clouds, and only these are a match for the moon’s brightness as night begins to settle. A variety of […]

Evening parade at Waiwhakaiho

Evening parade at Waiwhakaiho

9807 Evening parade at Waiwhakaiho. 8.20pm, 3 February 2015 Clouds strike some marvellous poses, but as they will not hold them the trick is to be ready and waiting. Even better if they are only a side-show to the main act – an anticipated moonrise, for example. A big Nikon zoom lens needs a tripod […]

Wet feet at the Waiwhakaiho

Wet feet at the Waiwhakaiho

9797 Wet feet at the Waiwhakaiho. 8.16pm, 3 February 2015 Zoom lenses are very engaging, but the price of their versatility is their typically lacklustre definition, and the extra care required in their use – especially with focus and depth of field. I have found with the Nikon 70-300mm that no really serious work can […]

The golf course after dark – pano

The golf course after dark – pano

9978-79 The golf course after dark, New Plymouth. 10.36pm, 3 February 2015 In post-processing I chose two frames which looked doubtful for the auto program to handle, so was agreeably surprised to have them adroitly merged, despite the likely dislocation of fast-moving clouds. I had stopped these on each frame with short exposures; faster shutter speeds […]

On the links, Fitzroy full moon

On the links, Fitzroy full moon

9940 On the links, Fitzroy full moon. 10.05pm, 3 February 2015 Sited as it is on old dunes, the golf course has some pleasant undulations; two stiles on the street suggested a ramble. A potential problem for moonlight photography was the row of sodium nearby – moonlight can’t compete with city lights, but when they […]

Autumn birch, Eltham

Autumn birch, Eltham

2364 Autumn birch, Eltham, Taranaki. 6.17pm, 4 May 2013 One early moonless evening I wandered a small block attached to a church camp, using flash in the deepening twilight. Balancing the light from two different sources often takes some doing, but I was happy by frame 3 on this occasion. I took this in colour, […]

Moon force attack, Waiwhakaiho

Moon force attack, Waiwhakaiho

9428 Moon force attack, Waiwhakaiho, 10.26pm, 5 January 2015 New Zealand flax again, plus full moon and scuds, in an image combining flash with background moonlight. To use flash in this way, start with aperture selection. This means finding the f-stop that fits your camera distance, as the flash has its own inherent shutter-speed. Then extend […]

Te Rewa Rewa silhouettes

Te Rewa Rewa silhouettes

9396 Te Rewa Rewa silhouettes, New Plymouth. 9.58pm, 5 January 2015 For the night photographer New Zealand has some distinctive silhouettes to add to sky & cloud studies. Shown are cabbage trees (ti kouka) but tree ferns, pohutukawa and the nikau palm also come to mind. Puriri, young kauri and kahikatea have great profiles in […]

Marahau finale panorama

Marahau finale panorama

Marahau finale panorama, 7.15 – 7.16pm, 8 September 2014 Moonlit clouds – how I know these well, as a pleasant pillow for my head. Here’s another practice shot, complementing my earlier Marahau post, in the art of stitching up two wide angle frames. Each was exposed for just 5 seconds, in order to keep the […]

Evening sky at Bell Block beach

Evening sky at Bell Block beach

9127 Evening sky at Bell Block beach. 8.39pm, 27 December 2014. Tweaked in post-processing, as a surreal version. Taken not long before a pallid sunset, with the moon at 6 days new. Crescents are best photographed at twilight, as after dark the effect is lost because the dim entirety of the moon shows up. However, the […]

Marahau moonlight, Nelson

Marahau moonlight, Nelson

8254. Marahau moonlight, Nelson. 9.21pm, 13 July 2014 While the others snuggled down to watch rugby on TV, I ventured out into the cool evening and walked towards the Abel Tasman. I followed a shoreline lapped by tiny surf, and set my tripod in the sand every few minutes, only to discover that my lens […]

300. From Mt Moturoa, evening

300. From Mt Moturoa, evening

Mt Moturoa, New Plymouth. 7.08 pm, 21 April 2013 Take rest; a field that has rested gives a bountiful crop.  –  Ovid 28mm; ISO 2000. 30 seconds at f16. Incandescent light balance

296. Perfect evening, Ngamotu Rd

296. Perfect evening, Ngamotu Rd

What are the roots that clutch, what branches grow / Out of this stony rubbish?          Son of man, / You cannot say, or guess, for you know only / A heap of broken images    – T.S. Eliot, The Waste Land 85mm; ISO 500. 4 minutes at f16

294. Illumination, Ngamotu Rd

294. Illumination, Ngamotu Rd

 You should listen to your heart, and not the voices in your head.  –  Marge Simpson 50mm; ISO 2000. 2 seconds at f5.6. Sodium vapour light balance  

293. Blue of larkspur, Spotswood

293. Blue of larkspur, Spotswood

Made cool the dry rock and made firm the sand / In blue of larkspur,                            blue of Mary’s colour / Sovegna vos  –  T.S. Eliot, Ash Wednesday IV 85mm; ISO 2000. 4 seconds at f9. Sodium vapour light balance  

286. City lights go out to sea

286. City lights go out to sea

The secret of happiness is freedom. The secret of freedom is courage.  –  Thucydides 24mm; ISO 200. 60 seconds at f2  

282. Moonlight Lodge, Morere

282. Moonlight Lodge, Morere

Not what we have but what we enjoy constitutes our abundance.  –  John Petit-Senn 28mm; ISO 2000. 30 seconds at f11. Incandescent light balance

280. South Auckland, questing

280. South Auckland, questing

More important than the quest for certainty is the quest for clarity  –  Francois Gautier 50mm; ISO 2000. 10 seconds at f4                

277. Summer evening, Waiuku

277. Summer evening, Waiuku

Life will bring you pain all by itself. Your responsibility is to create joy – Milton Erickson 50mm; ISO 2000. 80 seconds at f11. Incandescent light balance        

275. My meditations, my musings

275. My meditations, my musings

My meditations, my musings are never more enchanting than when I am able to forget myself.  –  Jean-Jacques Rousseau NEWS: My 2013 Night Visions calendar has now sold out. The NIGHT VISIONS book is still available direct, at $40 post-free (signed copies, with 4 x greeting cards as a bonus). The book has had some […]

266. Nightfall in Young Street

266. Nightfall in Young Street

 Joy in looking and comprehending is nature’s most beautiful gift. – Albert Einstein 85mm, ISO 2000. 1 second at f8. Sodium vapour light balance

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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