After midnight, the search for illumination continues, in a translucent sort of way
Silver surf and f16 on the beach; handling difficult focus by using a small aperture
Simple forms and shadow effects; street lighting used with wind-blown moonlight
Shipping signature from the beach below Paritutu; exposing for highlights with a high moon
Night magic in sepia; much longer exposures using a Pentax 6×7 as second camera
Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon
Striking blue moonlight under a black sky; f16 and depth of field
High contrast land, sea and sky; late moons, weariness and night safety
A big view on big film; monochrome surf in extended exposure; vertical compositions
A daylight effect and a sea change with long exposure; simplicity as a composition cue
Time on the trot, subtle surf and a shadow; the frustrations of focus
A moonlit figure unaffected by a passing car; low ISO and lens selection
Colourful star trails and a meteorite on film; digital disadvantages with extended exposures
Elf-portrait or self-portrait? Pricks of moongleam on the boathouse deck, in sepia
Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being
Movement by the photographer, not something within the frame. But first set up your tripod.
Simple but fast-moving monochrome composition, in a square format.
A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures
A broad daylight effect; quicker people pix by moonlight; focus and movement
Matching exposure time to the event in witness; moving away from the obvious vantage points
Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000
The big camera out on a wind-swept beach, well before full moon.
Monochrome in sepia; a vessel leaves port on calm seas, at high moon.
Travelling with two tripods, a calendar photographer records his own work one quiet night on the beach.
An invisible line of surf on a rocky shore; getting close enough but not too close.