composition

42. Neudorf apples by moonlight

42. Neudorf apples by moonlight

At close range at night with medium format; a monochrome study in tints

41. After midnight on the porch at Te Hapu

41. After midnight on the porch at Te Hapu

Breezy movement, bright colour and a strong diagonal in a square format

40. Nightfall in blue at Waiwhakaiho

40. Nightfall in blue at Waiwhakaiho

A tungsten study aided by a surprise arrival; using flash with long exposure at twilight

37. Nude by moonlight, Wairarapa pastorale

37. Nude by moonlight, Wairarapa pastorale

A simple composition, but a pose requiring 15 minutes; reciprocity effects

36. April evening, Woodstock, near Hokitika

36. April evening, Woodstock, near Hokitika

Full moon in low-rent country, West Coast, without banjos

35. Saturday night in the Domain, Auckland

35. Saturday night in the Domain, Auckland

Experimenting with long exposure on a slow and unusual film, on a drizzly night

33. Night-for-day at Kaihoka, Golden Bay

33. Night-for-day at Kaihoka, Golden Bay

Unusual daylight effects, movement and a surprise cameo role for the woman-in-magenta

29. Moonlit cherub, Waimea West, Nelson

29. Moonlit cherub, Waimea West, Nelson

Wide angle vertical composition; depth of focus and a figurine

22. Te Mata moonrise, Hawkes Bay

22. Te Mata moonrise, Hawkes Bay

Photo ops on the evening before full moon; the three-punch theory of composition

20. Spring willows and traffic from Waimarama, Hawkes Bay

20. Spring willows and traffic from Waimarama, Hawkes Bay

Matching exposure time to the event in witness; moving away from the obvious vantage points

15. Leaving Port Taranaki at midnight

15. Leaving Port Taranaki at midnight

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

13. Lake Rotoiti under full moon, Nelson Lakes National Park

13. Lake Rotoiti under full moon, Nelson Lakes National Park

Half an hour on an autumn evening, along the pebbly shore; in compositional thirds.

8. Rustic evening near Omata, Taranaki

8. Rustic evening near Omata, Taranaki

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

7. One a.m. and the last house on the street, Waikawa

7. One a.m. and the last house on the street, Waikawa

Find a quiet street and mix your moonlight with some sodium. Add your shadow to hide the tripod’s.

2. Harataonga moonrise

2. Harataonga moonrise

L-o-n-g exposure with a field camera, set up before dark. Clouds and moonbeams moving over water.

« Previous Page

Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

Categories

Archives