Garden flowers in full spectrum colour at maximum aperture; torch-aided focus.
An orchard close-up and work for saints; slow film, depth of field and colour shifts
The female form revealed on film; a summery advent of moon rays
Silver surf and f16 on the beach; handling difficult focus by using a small aperture
A twilight twist from the Chateau; telephoto and perspective
Night magic in sepia; much longer exposures using a Pentax 6×7 as second camera
A big view on big film; monochrome surf in extended exposure; vertical compositions
A moonlit figure unaffected by a passing car; low ISO and lens selection
Moving cloud and torchlight add drama; an unusual high contrast film
Colourful star trails and a meteorite on film; digital disadvantages with extended exposures
Elf-portrait or self-portrait? Pricks of moongleam on the boathouse deck, in sepia
Kahikatea framed by a West Coast canyon; trouble with really long exposures
Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being
Movement by the photographer, not something within the frame. But first set up your tripod.
At close range at night with medium format; a monochrome study in tints
A simple composition, but a pose requiring 15 minutes; reciprocity effects
Full moon in low-rent country, West Coast, without banjos
Experimenting with long exposure on a slow and unusual film, on a drizzly night
Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails
The big camera out on a wind-swept beach, well before full moon.
Half an hour on an autumn evening, along the pebbly shore; in compositional thirds.
Travelling with two tripods, a calendar photographer records his own work one quiet night on the beach.
City lights and headlights with a mountain backdrop: balancing picture elements in the fast-fading light of day.
L-o-n-g exposure with a field camera, set up before dark. Clouds and moonbeams moving over water.