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Wet feet at the Waiwhakaiho

Wet feet at the Waiwhakaiho

9797 Wet feet at the Waiwhakaiho. 8.16pm, 3 February 2015 Zoom lenses are very engaging, but the price of their versatility is their typically lacklustre definition, and the extra care required in their use – especially with focus and depth of field. I have found with the Nikon 70-300mm that no really serious work can […]

NZ flax with moonrise

NZ flax with moonrise

9289 NZ flax with moonrise, Ahu Ahu Rd, Taranaki. 8.59pm, 4 January 2015 My previous post left out another great NZ silhouette, Phormium tenax, now in summer flower and shown here in only semi-, thanks to flash. Taken at a sheltered  location south of Oakura, one of the few north-facing beaches along the western North Island. […]

Mana Island liberty

Mana Island liberty

6858b Mana Island liberty. 4.53pm, 7 May 2014 “This’ll be good!”, I thought to myself, as an evening squall approached Plimmerton, a Wellington suburb on Porirua Harbour. Keen photographers should be out for every passing shower, but of course location is everything – and the right time of day. The squall soon passed over and […]

241. Darkness on the Old Mountain Rd, Taranaki

241. Darkness on the Old Mountain Rd, Taranaki

To be exempt from the passions with which others are tormented, is the only pleasing solitude.  –  Joseph Addison Driving north in the early evening, I paused on a 2 km disused section of the old highway, quaint now for its narrowness and rustic one-lane bridge. The night was cold and moonless, with a constant […]

239. From our balcony, after midnight

239. From our balcony, after midnight

[Only the camera can express] the full majesty of the moment. –  Paul Leopold Rosenfeld Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between […]

238. Persimmon by moonlight

238. Persimmon by moonlight

I can gather all the news I need on the weather report.  –  Paul Simon (The Only Living Boy in New York) Still lifes by moonlight are formidable propositions because of the problems in seeing what you have, particularly with close framing and the shallow depth of field of a mild telephoto. This scene was […]

183. Swans unseen, before midnight

183. Swans unseen, before midnight

 When we are unable to find tranquillity within ourselves, it is useless to seek it elsewhere.  –  de La Rochefoucauld 85mm, ISO 2000. 4 secs at f2. 5000 deg K

171. Moonlit natives

171. Moonlit natives

Friendship is a sheltering tree. –  S.T. Coleridge Peering through a suburban cabbage tree involved an awkward set-up on sloping ground; every slight adjustment of the tripod also changed the ponga ferns relative to the foreground. I was however nicely sheltered from a frigid gale. I’ve used a conventional depth of field method known as […]

170. Some colours of spring

170. Some colours of spring

Experience is the comb that nature gives us when we are bald.  –  Anon Another split focus, single frame experiment; the hairdresser’s quote is suggested by the full-frontal flash on the flower stalks. For the rest of the exposure the lens barrel has been swiftly rotated, moving the focus closer to infinity. This gives reasonable […]

169. Fern and farm, autumn night

169. Fern and farm, autumn night

  Fern and farm, autumn night. 8.58pm, 19 May 2011 Great works are performed not by strength but by perseverance. –  Samuel Johnson Taranaki is so wet that ferns thrive even out on their own, as here on farmland close to town. The extra lighting is from a penlight, and far more subtle than in […]

163. Moonlight on Te Rewa Rewa

163. Moonlight on Te Rewa Rewa

The thing always happens that you really believe in, and the belief in a thing makes it happen. –  Frank Lloyd Wright Using the smallest aperture on the bridge I got both the near bones and the distant peak into sharp focus with a telephoto lens. A lower ISO was needed to extend the exposure […]

156. Magic magnolias, by moonlight

156. Magic magnolias, by moonlight

Our wealth lies not in what we have, but in what we enjoy. –  Anonymous So where the clear light of day would need only 20 seconds for preparation and never more than a second for exposure, I choose the half-light of evening and belabour the task for far too long… It must be the […]

151. Magnolias by night

151. Magnolias by night

No act of kindness, no matter how small, is ever wasted. –  Aesop Last full moon I spent many happy hours over several evenings tackling the budding magnolia next door. This one worked better at f5.6 than at f16, to my surprise, but with f16 needing nearly 5 minutes the risk of a breeze was […]

135. Star trails and mountain, from Lake Ratapiko

135. Star trails and mountain, from Lake Ratapiko

I don’t sing because I’m happy. I’m happy because I sing. – William James Ratapiko is a small hydro lake near the edge of the Taranaki ring plain, about 40 minutes northeast of New Plymouth, in a quiet country district. Quiet on a winter’s evening at least, as in season Ratapiko is popular for boating […]

132. All along the watchtower

132. All along the watchtower

All along the watchtower, princes kept the view; While all the women came and went, their foot-servants too.  – Bob Dylan The surreal song lyric [misquoted on the web] fits this enigmatic view from the waterfront pavement at Kaikoura, in the South Island. The scale is ambiguous and the light unusual, but at least more […]

123. Silhouette in gold, Back Beach

123. Silhouette in gold, Back Beach

You can boost minimal moonlight by using its reflection for a silhouette – another way to employ the wan light of a slender moon. “Moonlight photography” for me means not photographing the moon itself (another subject entirely), but rather making pictures by its light. The term is freely abused by amateur photographers. For a sharp […]

120. Midnight clifftop, Kaikoura

120. Midnight clifftop, Kaikoura

Twelve hours before the Christchurch earthquake I was somewhat wearily walking the quiet waterfront at Kaikoura, 150 km to the north on the east coast. I was happy after a perfect evening of night photography, and had the moon well up behind me when I spotted these trees high above. They fringe the cliffs which […]

112. Beaming down on the Boulder Bank

112. Beaming down on the Boulder Bank

The vacated frame and its variables: ghosting by pure moonlight

109. Moonlit calm, Kaikoura

109. Moonlit calm, Kaikoura

Inshore study in gold and aqua under a full moon; ideal exposure and post-process rescue

108. John and Ilona by moonlight, Te Rewa Rewa

108. John and Ilona by moonlight, Te Rewa Rewa

Long exposure outdoor portraits: problems and solutions

104. Stony landscape, Taranaki

104. Stony landscape, Taranaki

A low angle on the plain and a karaka grove; company and constraint

99. Moonlight multiplicity, Te Rewa Rewa

99. Moonlight multiplicity, Te Rewa Rewa

Self-portrait in gumboots, in a daylight effect; multiple personas using layers

98. Electric night, Golden Bay

98. Electric night, Golden Bay

Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant

97. Nikau mates, Te Hapu moonlight

97. Nikau mates, Te Hapu moonlight

Vertical grace and green against a starry sky; the search for critical focus

96. Twilight at half moon, Te Hapu

96. Twilight at half moon, Te Hapu

An unexpected colour at second quarter; a wild coast made easy for the townie

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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