Dramatic study in amber, green and blue; composition using the foreground in a classic thirds
Two minutes in the twilight; highlighting a volcanic bomb
The joy of glamorous and co-operative subjects, in colour infra red; the near side of night photography
Close-ups by the hour at home; vertical frames and wan moonlight
Garden flowers in full spectrum colour at maximum aperture; torch-aided focus.
Twilight use of flash; subtlety, instantaneity and their opposites
An orchard close-up and work for saints; slow film, depth of field and colour shifts
Strong contrasts in form and colour; perspective, light balancing and the winter moon
The female form revealed on film; a summery advent of moon rays
Silver surf and f16 on the beach; handling difficult focus by using a small aperture
A twilight twist from the Chateau; telephoto and perspective
Using flash with moonlight; square format composition
The fall – and rise – of water over 2 minutes; unusual soundtrack of a cascade silenced
30 seconds in the life of waterfowl; balancing harsh and hand-crafted lighting
A cabbage tree lit up from an unlikely source; star movement, lens choice, colour casts
Monochrome peak-and-pines at a road end; composition and the continuing lure of square format
Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon
Striking blue moonlight under a black sky; f16 and depth of field
High contrast land, sea and sky; late moons, weariness and night safety
Combining flashlight with moonlight; controlling the effect by ISO adjustment
Blowing in the wind on a sandy shore; the perils of calendar picture selection
Time on the trot, subtle surf and a shadow; the frustrations of focus
A moonlit figure unaffected by a passing car; low ISO and lens selection
Colourful star trails and a meteorite on film; digital disadvantages with extended exposures
Kahikatea framed by a West Coast canyon; trouble with really long exposures