focus

94. Kaikoura moonrise

94. Kaikoura moonrise

Dramatic study in amber, green and blue; composition using the foreground in a classic thirds

89. Nightfall at Acacia Bay

89. Nightfall at Acacia Bay

Two minutes in the twilight; highlighting a volcanic bomb

85. Midnight girls, Auckland

85. Midnight girls, Auckland

The joy of glamorous and co-operative subjects, in colour infra red; the near side of night photography

83. Lilies by moonlight at Marybank

83. Lilies by moonlight at Marybank

Close-ups by the hour at home; vertical frames and wan moonlight

82. Moonlit snapdragons

82. Moonlit snapdragons

Garden flowers in full spectrum colour at maximum aperture; torch-aided focus.

80. Rotomanu evening contrasts

80. Rotomanu evening contrasts

Twilight use of flash; subtlety, instantaneity and their opposites

78. Apple autumn, by moonlight

78. Apple autumn, by moonlight

An orchard close-up and work for saints; slow film, depth of field and colour shifts

77. Madonnas by moonlight, Nelson

77. Madonnas by moonlight, Nelson

Strong contrasts in form and colour; perspective, light balancing and the winter moon

76. Moonrise at Long Bay, Auckland

76. Moonrise at Long Bay, Auckland

The female form revealed on film; a summery advent of moon rays

74. Moonstruck coast at Oakura

74. Moonstruck coast at Oakura

Silver surf and f16 on the beach; handling difficult focus by using a small aperture

73. Late spring evening, Ngauruhoe

73. Late spring evening, Ngauruhoe

A twilight twist from the Chateau; telephoto and perspective

71. Stockyard gate at night, Koru

71. Stockyard gate at night, Koru

Using flash with moonlight; square format composition

70. Rapids at the tidal limit, by moonlight

70. Rapids at the tidal limit, by moonlight

The fall – and rise – of water over 2 minutes; unusual soundtrack of a cascade silenced

69. Three wary birds, one wet night

69. Three wary birds, one wet night

30 seconds in the life of waterfowl; balancing harsh and hand-crafted lighting

67. Ti kouka in flower against a starry night

67. Ti kouka in flower against a starry night

A cabbage tree lit up from an unlikely source; star movement, lens choice, colour casts

66. Maude Road mountain moonlight, Taranaki

66. Maude Road mountain moonlight, Taranaki

Monochrome peak-and-pines at a road end; composition and the continuing lure of square format

64. Urupa gateway, by the half moon

64. Urupa gateway, by the half moon

Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon

63. Rising moon on an ebbtide, Marahau

63. Rising moon on an ebbtide, Marahau

Striking blue moonlight under a black sky; f16 and depth of field

60. High tide, low moon, Marahau magic

60. High tide, low moon, Marahau magic

High contrast land, sea and sky; late moons, weariness and night safety

56. Tree ferns and moonlit mountain, Koru Rd

56. Tree ferns and moonlit mountain, Koru Rd

Combining flashlight with moonlight; controlling the effect by ISO adjustment

53. Lakeside reeds, Kaihoka, by moonlight

53. Lakeside reeds, Kaihoka, by moonlight

Blowing in the wind on a sandy shore; the perils of calendar picture selection

52. Moving hands, white face: high tide by moonlight

52. Moving hands, white face: high tide by moonlight

Time on the trot, subtle surf and a shadow; the frustrations of focus

50. In silhouette, Nugget Point night

50. In silhouette, Nugget Point night

A moonlit figure unaffected by a passing car; low ISO and lens selection

48. Summer evening at Triangle Flat, Golden Bay

48. Summer evening at Triangle Flat, Golden Bay

Colourful star trails and a meteorite on film; digital disadvantages with extended exposures

46. Bullock Creek moonlight, Punakaiki

46. Bullock Creek moonlight, Punakaiki

Kahikatea framed by a West Coast canyon; trouble with really long exposures

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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