Streaks of unexpected colour on a moonless night; “It must be film!”
Abstract of evening traffic; use of two planes of movement
Shipping signature from the beach below Paritutu; exposing for highlights with a high moon
A moonlit figure unaffected by a passing car; low ISO and lens selection
Movement by the photographer, not something within the frame. But first set up your tripod.
A tungsten study aided by a surprise arrival; using flash with long exposure at twilight
Electricity on the march, on a moonless night; long exposures and the ISO factor.
Experimenting with long exposure on a slow and unusual film, on a drizzly night
Car lights add highlights to a country church while the moon hides behind the steeple
Matching exposure time to the event in witness; moving away from the obvious vantage points
Fun with car light trails; balancing car lights with much dimmer moonlight.
A night-fishing boat leaves a light trail, making its way out into Tasman Bay.
City lights and headlights with a mountain backdrop: balancing picture elements in the fast-fading light of day.