Self-portrait in gumboots, in a daylight effect; multiple personas using layers

Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant

Vertical grace and green against a starry sky; the search for critical focus

An unexpected colour at second quarter; a wild coast made easy for the townie

Moon and artist’s cloud over no. 2 shellfish processing factory; wide angle and mixed lighting

Dramatic study in amber, green and blue; composition using the foreground in a classic thirds

Full moon, full cloud; adding foreground highlights with Incandescent and an LED torch

Streaks of unexpected colour on a moonless night; “It must be film!”

Simplicity and multiplicity; vertical frame with a wide angle

40-minute exposure by muted moonlight, where film still has the upper hand

Two minutes in the twilight; highlighting a volcanic bomb

Geothermal ugly in yellow and blue; a mixture of light plus an LED torch

Simple imagery; it pays to look around the back

Graveyard in white and the mountain in grey; a harmony of moon rays and lingering daylight

A seasonal opportunity by the full moon; adjusting computer screens and camera playback viewers

Close-ups by the hour at home; vertical frames and wan moonlight

Garden flowers in full spectrum colour at maximum aperture; torch-aided focus.

Abstract of evening traffic; use of two planes of movement

Fun with a torch in motion; colour temperature, cloudy skies, late moons

An orchard close-up and work for saints; slow film, depth of field and colour shifts

Strong contrasts in form and colour; perspective, light balancing and the winter moon

The female form revealed on film; a summery advent of moon rays

After midnight, the search for illumination continues, in a translucent sort of way

Silver surf and f16 on the beach; handling difficult focus by using a small aperture

Using flash with moonlight; square format composition