long exposure

253. The case for magic realism

253. The case for magic realism

There is no substitute for moonlight and kissing.  –  Barbara Cartland 85mm; ISO 2000. 70 seconds at f16. Flash

252. Peekaboo moon, Taranaki

252. Peekaboo moon, Taranaki

Artists are born kneeling; they fight to stand. Critics, by nature of the judgement seat, are born sitting.  –  Hortense Calisher (US novelist) [adapted] 50mm; ISO 2000. 30 seconds at f16. Sodium vapour light balance

251. Moonlight in May, Cheviot

251. Moonlight in May, Cheviot

There is no such thing as the pursuit of happiness, but there is the discovery of joy.  –  Joyce Grenfell 28mm; ISO 2000. 192 seconds (over 3 mins) at f11

250. Magnolia buds, apricot evening

250. Magnolia buds, apricot evening

Those who wish to sing, always find a song.  –  Swedish proverb 50mm; ISO 2000. 30 seconds at f5.6

249. Magnolias at night, late winter

249. Magnolias at night, late winter

 Meditate. Live purely. Be quiet. Do your work with mastery. Like the moon, come out from behind the clouds! Shine. –  Buddha (attrib.) 85mm; ISO 1000. 63 seconds at f2.5. Sodium vapour light balance

247. Evening fellowship, Waiuku country

247. Evening fellowship, Waiuku country

Good friends, good books, and a sleepy conscience: this is the ideal life. –  Mark Twain 28mm; ISO 2000. 30 seconds at f8

246. Desolation Row, Waiuku country

246. Desolation Row, Waiuku country

And the only sound that’s left / After the ambulances go Is Cinderella sweeping up / On Desolation Row.  –  Bob Dylan 28mm; ISO 2000. 68 seconds at f8

245. Approaching city lights, Manawatu

245. Approaching city lights, Manawatu

Approaching city lights, Manawatu. 7.06 pm, 6 August 2012 Fall seven times, stand up eight! –  Japanese proverb 85mm; ISO 2000. 30 seconds at f9. Incandescent light balance      

244. Joyful John escapes the city

244. Joyful John escapes the city

Whenever I feel the need to exercise, I lie down until it goes away – Robert M. Hutchins 28mm; ISO 2000. 20 seconds at f5.6  

243. Winter in Waiuku country

243. Winter in Waiuku country

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities. – Michael Kenna  28mm; ISO 2000. 30 seconds at f5.6  

242. Full moon, Back Beach

242. Full moon, Back Beach

28mm; ISO 2000. 30 seconds at f8. Flash  

241. Darkness on the Old Mountain Rd, Taranaki

241. Darkness on the Old Mountain Rd, Taranaki

To be exempt from the passions with which others are tormented, is the only pleasing solitude.  –  Joseph Addison Driving north in the early evening, I paused on a 2 km disused section of the old highway, quaint now for its narrowness and rustic one-lane bridge. The night was cold and moonless, with a constant […]

239. From our balcony, after midnight

239. From our balcony, after midnight

[Only the camera can express] the full majesty of the moment. –  Paul Leopold Rosenfeld Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between […]

238. Persimmon by moonlight

238. Persimmon by moonlight

I can gather all the news I need on the weather report.  –  Paul Simon (The Only Living Boy in New York) Still lifes by moonlight are formidable propositions because of the problems in seeing what you have, particularly with close framing and the shallow depth of field of a mild telephoto. This scene was […]

237. Night view over Westhaven Inlet

237. Night view over Westhaven Inlet

 I often think that the night is more alive and more richly colored than the day.  –  Vincent van Gogh 28mm; ISO 2000. 66 seconds at f10

236. Return after dark from Turtle Cove

236. Return after dark from Turtle Cove

 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown. – Wynn Bullock 28mm; ISO 2000. 30 seconds at f11

234. Quiet light of dusk and MDF plant, Waimea Inlet

234. Quiet light of dusk and MDF plant, Waimea Inlet

 I see magic in the quiet light of dusk.  –  John  Sexton 85mm; ISO 250. 30 seconds at f16. Incandescent light balance

233. High tide, no moon, Waimea Inlet

233. High tide, no moon, Waimea Inlet

Photographing at night can be fascinating because we lose some of the control over what happens in front of the camera.  –  Michael Kenna  28mm, ISO 2000. 464 seconds (7 min 44 sec) at f13. Sodium vapour light balance      

232. High tide by moonlight, Turtle Cove

232. High tide by moonlight, Turtle Cove

High tide by moonlight, Turtle Cove, Golden Bay. 7.35 pm, 2 June 2012  The night has vast potential for creativity.  –  Michael  Kenna 28mm; ISO 2000. 30 seconds at f11

231. Daylight is too easy

231. Daylight is too easy

Daylight is too easy. What I want is difficult – the atmosphere of lamps and moonlight.     – Edgar Degas 28mm; ISO 2500. 30 seconds at f11

229. Long exposure from Turtle Cove

229. Long exposure from Turtle Cove

Ah the moon’s too bright, the chain’s too tight, the beast won’t go to sleep… – Leonard Cohen (I’m Your Man) 85mm; ISO 500. 294 seconds (5 mins) at f16  

228. Evening view from Westhaven Retreat

228. Evening view from Westhaven Retreat

I’ve had a lot of trouble in my life – most of which never happened.  –  Mark Twain 28mm; ISO 2000. 30 seconds at f13. Flash

227. Waxing moon, Westhaven

227. Waxing moon, Westhaven

How much more grievous are the consequences of anger than the causes of it.   Marcus Aurelius 28mm; ISO 2000. 15 seconds at f8. Flash

226. Many ways to be free

226. Many ways to be free

There are many ways to be free. One of them is to transcend reality by imagination, as I try to do. – Anaïs Nin 50mm; ISO 2000. 15 seconds at f8. Incandescent light balance  

225. The Pot from Fox Glacier Holiday Park

225. The Pot from Fox Glacier Holiday Park

 The future will be better tomorrow.  –  Dan Quayle  50mm, ISO 2000. 8 seconds at f2.8. Light balance 3030 deg K

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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