moonlight

126. Ghosting the Waiwhakaiho walkway

126. Ghosting the Waiwhakaiho walkway

Out with some Scottish friends under a brilliant moon – the best since 1993 – we legged a good stretch of the Waiwhakaiho walkway, on the New Plymouth outskirts. Having noted this viewpoint along the way, it was surprising how long it took to re-locate it on our return. On the wild uplands of Tibet […]

123. Silhouette in gold, Back Beach

123. Silhouette in gold, Back Beach

You can boost minimal moonlight by using its reflection for a silhouette – another way to employ the wan light of a slender moon. “Moonlight photography” for me means not photographing the moon itself (another subject entirely), but rather making pictures by its light. The term is freely abused by amateur photographers. For a sharp […]

122. Autumn evening, Ngamotu

122. Autumn evening, Ngamotu

North Taranaki this week has been clear and mild for night photography by the  crescent moon. These slender new moons might give only the feeblest of light but if you can see your shadow by them then there is enough for moonlight photography! Nature also provides some magnifiers for moonlight, the best being its reflection […]

118. No stopping, Kapiti twilight

118. No stopping, Kapiti twilight

A companion piece to no. 107. Twilight tractor (and taken 6 minutes later), this electric call to good order conveys another mood. Existentialists may freely dwell on it. Outside the Waikanae boat club 45 minutes after sunset, the balance of light was changing in favour of artificial light. A star is visible in the nightfall. […]

117. Mixed motifs after dark

117. Mixed motifs after dark

Out for some night photography, you’d think that the simple equation of dark = dark at least ensured you had plenty of time to set up your masterpieces as you came upon them. That is, without finding the common daylight problem of something changing your scene. Alas, so often this is not the case! Of […]

116. Suburban evening, New Plymouth

116. Suburban evening, New Plymouth

Once again my title doesn’t really do this justice. The pleasantly secluded location borders Barrett Domain in Westown, on the western outskirts of New Plymouth. I have climbed up to this pastoral corner many times, having first discovered it on a sunny summer’s evening in 1976, when the grass was really long and my model […]

114. Nikau mates at Te Hapu, no. 2

114. Nikau mates at Te Hapu, no. 2

We waved the torch over nearby palms on our way back from Gilbert’s Beach, at Te Hapu (www.tehapu.co.nz), a remote cattle station in Golden Bay. On a wide angle lens it is easier to stop the stars, which were more visible with the moon being blotted out by a cloudbank. Having selected Direct sunlight light […]

113. Night at the saltwater lagoon, Waikanae

113. Night at the saltwater lagoon, Waikanae

Moonlight and urban glow at Waimanu; digital ergonomics vs film cameras

112. Beaming down on the Boulder Bank

112. Beaming down on the Boulder Bank

The vacated frame and its variables: ghosting by pure moonlight

110. Moonrise from Puniho, Taranaki

110. Moonrise from Puniho, Taranaki

Golden orb on the shoulder of Mt Taranaki, from the National Park boundary.

109. Moonlit calm, Kaikoura

109. Moonlit calm, Kaikoura

Inshore study in gold and aqua under a full moon; ideal exposure and post-process rescue

108. John and Ilona by moonlight, Te Rewa Rewa

108. John and Ilona by moonlight, Te Rewa Rewa

Long exposure outdoor portraits: problems and solutions

105. Night tide at Kaikoura

105. Night tide at Kaikoura

Moonlit abstraction on the square; Light balance selection with mixed sources

104. Stony landscape, Taranaki

104. Stony landscape, Taranaki

A low angle on the plain and a karaka grove; company and constraint

103. Moonlit road to Gilbert’s

103. Moonlit road to Gilbert’s

Further along the road less travelled; sometimes your first shot is the best one, sometimes your only one.

102. Stony twilights, Taranaki

102. Stony twilights, Taranaki

Uncommon natural lighting with an extra touch

101. Evening breeze, Waimeha Lagoon

101. Evening breeze, Waimeha Lagoon

Golden fluff in moonlit motion; creative control and its inevitable decisions

100. A road less travelled, by moonlight

100. A road less travelled, by moonlight

Warm colours from a sinking moon, plus colour contrast – but where’s the beef?

99. Moonlight multiplicity, Te Rewa Rewa

99. Moonlight multiplicity, Te Rewa Rewa

Self-portrait in gumboots, in a daylight effect; multiple personas using layers

98. Electric night, Golden Bay

98. Electric night, Golden Bay

Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant

97. Nikau mates, Te Hapu moonlight

97. Nikau mates, Te Hapu moonlight

Vertical grace and green against a starry sky; the search for critical focus

96. Twilight at half moon, Te Hapu

96. Twilight at half moon, Te Hapu

An unexpected colour at second quarter; a wild coast made easy for the townie

95. Kaikoura evening

95. Kaikoura evening

Moon and artist’s cloud over no. 2 shellfish processing factory; wide angle and mixed lighting

93. Kapiti evening, heavy cloud

93. Kapiti evening, heavy cloud

Full moon, full cloud; adding foreground highlights with Incandescent and an LED torch

92. Stars over Mangarakau, Golden Bay

92. Stars over Mangarakau, Golden Bay

Streaks of unexpected colour on a moonless night; “It must be film!”

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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