What a lovely summer’s evening this was – balmy and without even a sea breeze. For the fisheries officer with the strong torch it was just another round of inspection but clearly my presence lacked line and bait. The short exposure has given a sharp outline to the boats, which on a longer shot invariably […]
PRINT of the Month for February is this colourful composition from Omata, on New Plymouth’s southern fringe. Enlightened fennel flowers front for an almost-full moon, rising slowly without fanfare. The road is a quiet, no-exit one and but for a muted drone from distant SH45 the scene had no soundtrack. This fine art photo is printed […]
Moonlit grave at Te Hapu, Golden Bay. 9.28pm, 7 February 2012 This follows my Memento Mori post of last month, and records the lonesome hilltop grave of young Cecil Addison, a Tb victim from 1924. The wooden headstone has a carved inscription; the site is protected from stock by a more recent fence. The background blur […]
Sometimes the full moon keeps me waiting. Its predicted peep over the horizon lags, for example, because a range of hills blocks the view. Anticipation! Which hill will the moon rise over? What pictorial elements should I line up for a creative memento of this exciting occasion?? Yes there are apps to tell me such […]
I have not seen three of these lovely birds together before, but one of them obliged me by holding its pose mid-reflection. Although this was an obvious job for a good telephoto, my long lens was unfortunately out of commission. A photo of this nature – a rapidly rising moon, feeding birds – usually requires […]
3028. Minor epiphany at Maitai, Nelson. 9.02pm, 25 November 2015 In valleys in summertime the evening can be well advanced before the full moon shows above the hills. To use twilight as well you’ll need to choose the evening just before the moon hits 100% full, when it rises before sunset. It can be fun […]
0020 Summer moonrise. 8.54pm, 4 February 2015 A twilight moon always rises over a flat landscape – in lighting terms, at least, after sunset. Two strong aids to composition, much to my liking, are silhouettes and clouds, and only these are a match for the moon’s brightness as night begins to settle. A variety of […]
9286 Ahu Ahu hues (moonrise-with-flax-flowers) Simple, graphic compositions such as this moonrise-with-flax-flowers can be varied in post-processing with the hue tool. In my tool kit this is handily located next to the saturation dial, and enables a surprising spectrum of bizarre and surreal imagery. I have put some variations up for contrast but am not […]
9289 NZ flax with moonrise, Ahu Ahu Rd, Taranaki. 8.59pm, 4 January 2015 My previous post left out another great NZ silhouette, Phormium tenax, now in summer flower and shown here in only semi-, thanks to flash. Taken at a sheltered location south of Oakura, one of the few north-facing beaches along the western North Island. […]
All of us must indulge in a few small follies if we are to make reality bearable. – Marcel Proust 28mm; ISO 2500. 30 seconds at f11. Flash
Monotony collapses time; novelty unfolds it … Creating new memories stretches out psychological time, and lengthens our perception of our lives. – Joshua Foer 28mm; ISO 2000. 1/2 sec at f5.6. Sodium vapour light balance
The moon develops the imagination, as chemicals develop photographic images. – Sheila Ballantyne 28mm; ISO 2000. 1/1.3rd second at f18. Flash
The greater part of our happiness or misery depends on our dispositions and not our circumstances. – Martha Washington, American First Lady. 85mm, ISO 320. 5 secs @ f5.6. Col balance 8330 deg K
Somehow to capture the constantly evanescent quality of existence. – Tennessee Williams, on his goal in writing It can be a pain to wait for the moonrise on those nights following full moon – although you do get some quality time with undimmed stars and the odd cloud capture. Eventually the eastern horizon lightens and […]
Tomorrow we shall set out once more upon the vast sea. – Horace Moonrises after dark indicate the moon is past full, and these moonrises, especially, need a frame of reference. They benefit from foreground interest, in this case from outcrops alongside the wharf at Kaikoura, on the east coast of the South Island. It’s […]
Golden orb on the shoulder of Mt Taranaki, from the National Park boundary.
Moonlit abstraction on the square; Light balance selection with mixed sources
Dramatic study in amber, green and blue; composition using the foreground in a classic thirds
Streaks of unexpected colour on a moonless night; “It must be film!”
Simplicity and multiplicity; vertical frame with a wide angle
Graveyard in white and the mountain in grey; a harmony of moon rays and lingering daylight
Fun with a torch in motion; colour temperature, cloudy skies, late moons
The female form revealed on film; a summery advent of moon rays
High contrast land, sea and sky; late moons, weariness and night safety
Some unexpected blue between the scudding clouds; photography on evenings after full moon