movement

47. Moonlit figure at Okarito

47. Moonlit figure at Okarito

Elf-portrait or self-portrait? Pricks of moongleam on the boathouse deck, in sepia

44. Moonrise from the Devonport ferry, Auckland

44. Moonrise from the Devonport ferry, Auckland

Movement by the photographer, not something within the frame. But first set up your tripod.

43. Offshore squall, Taranaki, at night

43. Offshore squall, Taranaki, at night

Simple but fast-moving monochrome composition, in a square format.

41. After midnight on the porch at Te Hapu

41. After midnight on the porch at Te Hapu

Breezy movement, bright colour and a strong diagonal in a square format

40. Nightfall in blue at Waiwhakaiho

40. Nightfall in blue at Waiwhakaiho

A tungsten study aided by a surprise arrival; using flash with long exposure at twilight

39. Mt Taranaki at night, from Centennial Drive

39. Mt Taranaki at night, from Centennial Drive

Electricity on the march, on a moonless night; long exposures and the ISO factor.

36. April evening, Woodstock, near Hokitika

36. April evening, Woodstock, near Hokitika

Full moon in low-rent country, West Coast, without banjos

30. Foreshore wind-wand at night, New Plymouth

30. Foreshore wind-wand at night, New Plymouth

A subject in motion against a moving background; tungsten one last time

9. Late sailing through the Cut, Nelson

9. Late sailing through the Cut, Nelson

A night-fishing boat leaves a light trail, making its way out into Tasman Bay.

8. Rustic evening near Omata, Taranaki

8. Rustic evening near Omata, Taranaki

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

2. Harataonga moonrise

2. Harataonga moonrise

L-o-n-g exposure with a field camera, set up before dark. Clouds and moonbeams moving over water.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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