Nelson

239. From our balcony, after midnight

239. From our balcony, after midnight

[Only the camera can express] the full majesty of the moment. –  Paul Leopold Rosenfeld Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between […]

238. Persimmon by moonlight

238. Persimmon by moonlight

I can gather all the news I need on the weather report.  –  Paul Simon (The Only Living Boy in New York) Still lifes by moonlight are formidable propositions because of the problems in seeing what you have, particularly with close framing and the shallow depth of field of a mild telephoto. This scene was […]

237. Night view over Westhaven Inlet

237. Night view over Westhaven Inlet

 I often think that the night is more alive and more richly colored than the day.  –  Vincent van Gogh 28mm; ISO 2000. 66 seconds at f10

236. Return after dark from Turtle Cove

236. Return after dark from Turtle Cove

 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown. – Wynn Bullock 28mm; ISO 2000. 30 seconds at f11

235. Moonrise over limestone, Westhaven Retreat

235. Moonrise over limestone, Westhaven Retreat

The moon develops the imagination, as chemicals develop photographic images. – Sheila Ballantyne 28mm; ISO 2000. 1/1.3rd second at f18. Flash

234. Quiet light of dusk and MDF plant, Waimea Inlet

234. Quiet light of dusk and MDF plant, Waimea Inlet

 I see magic in the quiet light of dusk.  –  John  Sexton 85mm; ISO 250. 30 seconds at f16. Incandescent light balance

233. High tide, no moon, Waimea Inlet

233. High tide, no moon, Waimea Inlet

Photographing at night can be fascinating because we lose some of the control over what happens in front of the camera.  –  Michael Kenna  28mm, ISO 2000. 464 seconds (7 min 44 sec) at f13. Sodium vapour light balance      

232. High tide by moonlight, Turtle Cove

232. High tide by moonlight, Turtle Cove

High tide by moonlight, Turtle Cove, Golden Bay. 7.35 pm, 2 June 2012  The night has vast potential for creativity.  –  Michael  Kenna 28mm; ISO 2000. 30 seconds at f11

231. Daylight is too easy

231. Daylight is too easy

Daylight is too easy. What I want is difficult – the atmosphere of lamps and moonlight.     – Edgar Degas 28mm; ISO 2500. 30 seconds at f11

230. On the way to Turtle Cove

230. On the way to Turtle Cove

Twilight photography is unfortunately neglected; what may be drab and uninteresting by daylight may assume a magnificent quality in the halflight between sunset and dark.  – Ansel Adams 28mm; ISO 2000. 1/200th sec at f5. Flash

229. Long exposure from Turtle Cove

229. Long exposure from Turtle Cove

Ah the moon’s too bright, the chain’s too tight, the beast won’t go to sleep… – Leonard Cohen (I’m Your Man) 85mm; ISO 500. 294 seconds (5 mins) at f16  

228. Evening view from Westhaven Retreat

228. Evening view from Westhaven Retreat

I’ve had a lot of trouble in my life – most of which never happened.  –  Mark Twain 28mm; ISO 2000. 30 seconds at f13. Flash

227. Waxing moon, Westhaven

227. Waxing moon, Westhaven

How much more grievous are the consequences of anger than the causes of it.   Marcus Aurelius 28mm; ISO 2000. 15 seconds at f8. Flash

226. Many ways to be free

226. Many ways to be free

There are many ways to be free. One of them is to transcend reality by imagination, as I try to do. – Anaïs Nin 50mm; ISO 2000. 15 seconds at f8. Incandescent light balance  

214. Maitai moon, Nelson

214. Maitai moon, Nelson

Yet my moon always hung faithfully in the sky: constant companion, luminous and remote, gentle symbol of mystery, femininity and noctural wisdom.  –  Michael Leunig 85mm, ISO 2000. 10 secs at f8  

213. Suva Capetown by the stars

213. Suva Capetown by the stars

It is good to have an end to journey towards; but it is the journey that matters in the end. – Ursula K. Le Guin 85mm, ISO 2000. 30 secs at f7.1. Flash      

212. Let it go, let it out

212. Let it go, let it out

Let it go, let it out / let it all unravel; Let it free and it can be/ a path on which to travel.  – Leunig 28mm; ISO 2000. 30 secs at f8. Incandescent light balance  

211. Ebbtide evening, Marahau

211. Ebbtide evening, Marahau

Wise sayings often fall on barren ground but a kind word is never thrown away.  –  Arthur Helps 28mm; ISO 2000. 6.6 secs at f10. Incandescent light balance; flash

210. Mixed moonlight at Kaka Pa Point

210. Mixed moonlight at Kaka Pa Point

 The problem with the youth of today is that one is no longer part of it. – Salvadore Dali 50mm, ISO 2000. 30 secs at f11. Flash  

209. After dark at Marahau, Abel Tasman coast

209. After dark at Marahau, Abel Tasman coast

The future is just going to be a vast, conforming ‘suburb of the soul’.  –  J.G. Ballard, 1982   28mm, ISO 2000. 30 secs at f9. Light balance 5000 deg K

208. On the way to Breaker Bay

208. On the way to Breaker Bay

Live courageously, and produce.  –  Vincent van Gogh  28mm, ISO 2000. 3 secs at f8. Sodium vapour light balance

207. The truth more plausible, from Kaiteriteri

207. The truth more plausible, from Kaiteriteri

To make the truth more plausible, it is absolutely necessary to mix a bit of falsehood with it.  –  Dostoevsky Staying three nights this week at Marahau, gateway to Abel Tasman National Park (Nelson), we had lovely evenings “to behold the waxing moon”. At Kaka Pa Point we discovered an easy path down to a sandy cove, Breaker Bay, above which […]

203. Faux twilight at Paturau

203. Faux twilight at Paturau

All living creatures are making a great endeavour, struggling, to attain real everlasting happiness.  –  Srila Narayana Maharaja Happiness through illusion? This actually is twilight, but stirred with the flash for foreground and then thoroughly shaken in post-pro. The original sky is very blue because I was trying a tungsten light balance. However I wanted something more […]

200. The bluffs at moonset, Gilbert’s Beach

200. The bluffs at moonset, Gilbert’s Beach

If only I could stand on a street corner with my hat in my hand, and get people to throw their wasted time into it!  –  Bernard Berenson, U.S. art critic Taken last year at Te Hapu, Golden Bay and recalled by our more recent stay. Moonset before midnight always means a crescent moon, a simple […]

198. Moonrise with alpacas

198. Moonrise with alpacas

The greater part of our happiness or misery depends on our dispositions and not our circumstances.  –  Martha Washington, American First Lady. 85mm, ISO 320. 5 secs @ f5.6. Col balance 8330 deg K  

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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