New Plymouth

The golf course after dark – pano

The golf course after dark – pano

9978-79 The golf course after dark, New Plymouth. 10.36pm, 3 February 2015 In post-processing I chose two frames which looked doubtful for the auto program to handle, so was agreeably surprised to have them adroitly merged, despite the likely dislocation of fast-moving clouds. I had stopped these on each frame with short exposures; faster shutter speeds […]

On the links, Fitzroy full moon

On the links, Fitzroy full moon

9940 On the links, Fitzroy full moon. 10.05pm, 3 February 2015 Sited as it is on old dunes, the golf course has some pleasant undulations; two stiles on the street suggested a ramble. A potential problem for moonlight photography was the row of sodium nearby – moonlight can’t compete with city lights, but when they […]

Pukekura Park lights

Pukekura Park lights

9039 Pukekura Park lights. 9.56pm, 22 December 2014 New Plymouth’s central park is not much fun to stroll through clutching a tripod, especially along with the evening crowds out to see the same lighting spectacle (and the free performances). So I left my ballast behind. This sort of photo is more effective in twilight rather […]

Ahu Ahu hues

Ahu Ahu hues

9286 Ahu Ahu hues (moonrise-with-flax-flowers) Simple, graphic compositions such as this moonrise-with-flax-flowers can be varied in post-processing with the hue tool. In my tool kit this is handily located next to the saturation dial, and enables a surprising spectrum of bizarre and surreal imagery. I have put some variations up for contrast but am not […]

Moon force attack, Waiwhakaiho

Moon force attack, Waiwhakaiho

9428 Moon force attack, Waiwhakaiho, 10.26pm, 5 January 2015 New Zealand flax again, plus full moon and scuds, in an image combining flash with background moonlight. To use flash in this way, start with aperture selection. This means finding the f-stop that fits your camera distance, as the flash has its own inherent shutter-speed. Then extend […]

Te Rewa Rewa silhouettes

Te Rewa Rewa silhouettes

9396 Te Rewa Rewa silhouettes, New Plymouth. 9.58pm, 5 January 2015 For the night photographer New Zealand has some distinctive silhouettes to add to sky & cloud studies. Shown are cabbage trees (ti kouka) but tree ferns, pohutukawa and the nikau palm also come to mind. Puriri, young kauri and kahikatea have great profiles in […]

The evening rush

The evening rush

9135 The evening rush. 9.03pm, 27 December 2014 At Bell Block, a suburban outlier of New Plymouth, the Mangati Stream meets the coast through a steep shingle bank. This last reach came into view after sunset as we came up from the beach, by the new walkway extension. Adding to the uncommon textural unity was […]

Yana among the vines

Yana among the vines

1991. Yana among the vines  I took this one afternoon in the early autumn of 2010, when Yana was 20. My father had some self-sown vines rioting in his garden (yielding 80 large melons), which looked to  make a good backdrop. It’s no surprise to see here the same elements as in previous portraits: sympathetic ground, […]

Ben at sundown, Back Beach

Ben at sundown, Back Beach

0958 Ben at sundown, Back Beach Continuing the evening portrait theme is this “one-take” shot of our UK visitor Ben, in 2010, taken on the cliff above Back Beach in New Plymouth. The light is striking, but the effect is enhanced by the “da Vinci” background of Paritutu Rock, pylon and blue sky. I would […]

300. From Mt Moturoa, evening

300. From Mt Moturoa, evening

Mt Moturoa, New Plymouth. 7.08 pm, 21 April 2013 Take rest; a field that has rested gives a bountiful crop.  –  Ovid 28mm; ISO 2000. 30 seconds at f16. Incandescent light balance

298. Edge of night, edge of city

298. Edge of night, edge of city

The true art of memory is the art of attention.  –  Samuel Johnson 50mm; ISO 2000. 30 seconds at f11

297. Up 233 moonlit steps

297. Up 233 moonlit steps

To Barney’s pulpit rock I climb / Where the sea aisles burn cold / In fires of no return / And maned breakers praise / The death hour of the sun. James K. Baxter, In fires of no return 28mm; ISO 2000. 30 seconds at f11  

296. Perfect evening, Ngamotu Rd

296. Perfect evening, Ngamotu Rd

What are the roots that clutch, what branches grow / Out of this stony rubbish?          Son of man, / You cannot say, or guess, for you know only / A heap of broken images    – T.S. Eliot, The Waste Land 85mm; ISO 500. 4 minutes at f16

295. City limits, Hurdon twilight

295. City limits, Hurdon twilight

  Glory is fleeting, but obscurity is forever.  –  Napoleon Bonaparte 50mm; ISO 2500. 30 seconds at f22. Flash; sodium vapour light balance

294. Illumination, Ngamotu Rd

294. Illumination, Ngamotu Rd

 You should listen to your heart, and not the voices in your head.  –  Marge Simpson 50mm; ISO 2000. 2 seconds at f5.6. Sodium vapour light balance  

293. Blue of larkspur, Spotswood

293. Blue of larkspur, Spotswood

Made cool the dry rock and made firm the sand / In blue of larkspur,                            blue of Mary’s colour / Sovegna vos  –  T.S. Eliot, Ash Wednesday IV 85mm; ISO 2000. 4 seconds at f9. Sodium vapour light balance  

292. Half moon with cricket song

292. Half moon with cricket song

 Let us go then, you and I / When the evening is spread out against the sky /            Like a patient etherised upon a table  –  T.S. Eliot, The Love Song of J. Alfred Prufrock 28mm; ISO 2000. 5 seconds at f5.6. Flash

291. There are no eyes here

291. There are no eyes here

There are no eyes here / In this valley of dying stars / In this hollow valley /                This broken jaw of our lost kingdoms  –  T.S. Eliot, The Hollow Men 85mm; ISO 500. 30 seconds at f16. Incandescent light balance    

286. City lights go out to sea

286. City lights go out to sea

The secret of happiness is freedom. The secret of freedom is courage.  –  Thucydides 24mm; ISO 200. 60 seconds at f2  

274. Echoes from Whaler’s Gate

274. Echoes from Whaler’s Gate

I don’t believe people are looking for the meaning of life as much as they are looking for the experience of being alive. – Joseph Campbell 85mm; ISO 1000. 5 seconds at f11. Flash  

272. Echoes in Frankleigh Park

272. Echoes in Frankleigh Park

I mused for a few moments on the question of which was worse, to lead a life so boring that you are easily enchanted, or a life so full of stimulus that you are easily bored. ― Bill Bryson, Lost Continent: Travels In Small-Town America 85mm; ISO 2000. 15 seconds at f16. Sodium vapour light […]

271. Moonrise, Wrantage Street

271. Moonrise, Wrantage Street

 Monotony collapses time; novelty unfolds it … Creating new memories stretches out psychological time, and lengthens our perception of our lives.  –  Joshua Foer 28mm; ISO 2000. 1/2 sec at f5.6. Sodium vapour light balance

270. Among mysteries

270. Among mysteries

Those who are willing to be vulnerable move among mysteries.  –  Theodore Roethke 50mm; ISO 2000. 15 seconds at f9. Incandescent light balance; flash  

269. Still round the corner

269. Still round the corner

Still round the corner there may wait / A new road or a secret gate And though I oft have passed them by / A day will come at last when I Shall take the hidden paths that run / West of the Moon, East of the Sun.                                                                                                             – J.R.R. Tolkien 85mm; ISO 2000. […]

266. Nightfall in Young Street

266. Nightfall in Young Street

 Joy in looking and comprehending is nature’s most beautiful gift. – Albert Einstein 85mm, ISO 2000. 1 second at f8. Sodium vapour light balance

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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