Simple imagery; it pays to look around the back
A seasonal opportunity by the full moon; adjusting computer screens and camera playback viewers
After midnight, the search for illumination continues, in a translucent sort of way
Simple forms and shadow effects; street lighting used with wind-blown moonlight
Using flash with moonlight; square format composition
Shipping signature from the beach below Paritutu; exposing for highlights with a high moon
Monochrome peak-and-pines at a road end; composition and the continuing lure of square format
Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon
An inspiring new structure, after dark; noise, scale and safety
High contrast land, sea and sky; late moons, weariness and night safety
Combining flashlight with moonlight; controlling the effect by ISO adjustment
Blowing in the wind on a sandy shore; the perils of calendar picture selection
Some unexpected blue between the scudding clouds; photography on evenings after full moon
A moonlit figure unaffected by a passing car; low ISO and lens selection
Moving cloud and torchlight add drama; an unusual high contrast film
Colourful star trails and a meteorite on film; digital disadvantages with extended exposures
Kahikatea framed by a West Coast canyon; trouble with really long exposures
Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being
Breezy movement, bright colour and a strong diagonal in a square format
Electricity on the march, on a moonless night; long exposures and the ISO factor.
Finding depth in a wide angle view; the challenge of a square format
A simple composition, but a pose requiring 15 minutes; reciprocity effects
Full moon in low-rent country, West Coast, without banjos
Wide angle vertical composition; depth of focus and a figurine
Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails