A moonrise after dark; waiting to see something appear in the viewfinder

Daylight effects and the blur of the wind. Scope versus depth: a hard choice.

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

Half an hour on an autumn evening, along the pebbly shore; in compositional thirds.

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

Find a quiet street and mix your moonlight with some sodium. Add your shadow to hide the tripod’s.

On the last evening of summer, a clear view from a wild river of the mountain bare, in oblique moonlight.