In praise of pink; a secluded suburban waterfront and the challenge of the night-lit city
From a pier on a rainy summer’s evening; an experiment with flash, tungsten and long exposure
Movement by the photographer, not something within the frame. But first set up your tripod.
Simple but fast-moving monochrome composition, in a square format.
Experimenting with long exposure on a slow and unusual film, on a drizzly night
Car lights add highlights to a country church while the moon hides behind the steeple
The Holy Mother looks out on city lights; the subtlety of moonlight
A last shot before the clag closed in; moonlight balanced with a floodlit pylon.
A night-fishing boat leaves a light trail, making its way out into Tasman Bay.
Find a quiet street and mix your moonlight with some sodium. Add your shadow to hide the tripod’s.
City lights and headlights with a mountain backdrop: balancing picture elements in the fast-fading light of day.
Making the most of a break in the weather; mixing the sublime with an electric fence.