surf

94. Kaikoura moonrise

94. Kaikoura moonrise

Dramatic study in amber, green and blue; composition using the foreground in a classic thirds

93. Kapiti evening, heavy cloud

93. Kapiti evening, heavy cloud

Full moon, full cloud; adding foreground highlights with Incandescent and an LED torch

89. Nightfall at Acacia Bay

89. Nightfall at Acacia Bay

Two minutes in the twilight; highlighting a volcanic bomb

76. Moonrise at Long Bay, Auckland

76. Moonrise at Long Bay, Auckland

The female form revealed on film; a summery advent of moon rays

75. Blue note at Oakura Beach

75. Blue note at Oakura Beach

After midnight, the search for illumination continues, in a translucent sort of way

74. Moonstruck coast at Oakura

74. Moonstruck coast at Oakura

Silver surf and f16 on the beach; handling difficult focus by using a small aperture

65. Round Rock by moonlight, Back Beach

65. Round Rock by moonlight, Back Beach

Night magic in sepia; much longer exposures using a Pentax 6×7 as second camera

55. Twilight surf from the Waitoetoe cliffs

55. Twilight surf from the Waitoetoe cliffs

A big view on big film; monochrome surf in extended exposure; vertical compositions

A daylight effect and a sea change with long exposure; simplicity as a composition cue

52. Moving hands, white face: high tide by moonlight

52. Moving hands, white face: high tide by moonlight

Time on the trot, subtle surf and a shadow; the frustrations of focus

45. Karekare before dawn, west Auckland coast

45. Karekare before dawn, west Auckland coast

Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being

19. Moonlight view to Cape Kidnappers, Hawkes Bay

19. Moonlight view to Cape Kidnappers, Hawkes Bay

Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000

16. Moonlit Moturoa from Back Beach, at Paritutu

16. Moonlit Moturoa from Back Beach, at Paritutu

The big camera out on a wind-swept beach, well before full moon.

15. Leaving Port Taranaki at midnight

15. Leaving Port Taranaki at midnight

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

10. Moonlit surf on the Boulder Bank, Nelson

10. Moonlit surf on the Boulder Bank, Nelson

An invisible line of surf on a rocky shore; getting close enough but not too close.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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