Dramatic study in amber, green and blue; composition using the foreground in a classic thirds
Full moon, full cloud; adding foreground highlights with Incandescent and an LED torch
Two minutes in the twilight; highlighting a volcanic bomb
The female form revealed on film; a summery advent of moon rays
After midnight, the search for illumination continues, in a translucent sort of way
Silver surf and f16 on the beach; handling difficult focus by using a small aperture
Night magic in sepia; much longer exposures using a Pentax 6×7 as second camera
A big view on big film; monochrome surf in extended exposure; vertical compositions
A daylight effect and a sea change with long exposure; simplicity as a composition cue
Time on the trot, subtle surf and a shadow; the frustrations of focus
Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being
Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000
The big camera out on a wind-swept beach, well before full moon.
Monochrome in sepia; a vessel leaves port on calm seas, at high moon.
An invisible line of surf on a rocky shore; getting close enough but not too close.