Taranaki

56. Tree ferns and moonlit mountain, Koru Rd

56. Tree ferns and moonlit mountain, Koru Rd

Combining flashlight with moonlight; controlling the effect by ISO adjustment

55. Twilight surf from the Waitoetoe cliffs

55. Twilight surf from the Waitoetoe cliffs

A big view on big film; monochrome surf in extended exposure; vertical compositions

A daylight effect and a sea change with long exposure; simplicity as a composition cue

51. Winter moonrise after dark, German Hill

51. Winter moonrise after dark, German Hill

Some unexpected blue between the scudding clouds; photography on evenings after full moon

43. Offshore squall, Taranaki, at night

43. Offshore squall, Taranaki, at night

Simple but fast-moving monochrome composition, in a square format.

40. Nightfall in blue at Waiwhakaiho

40. Nightfall in blue at Waiwhakaiho

A tungsten study aided by a surprise arrival; using flash with long exposure at twilight

39. Mt Taranaki at night, from Centennial Drive

39. Mt Taranaki at night, from Centennial Drive

Electricity on the march, on a moonless night; long exposures and the ISO factor.

38. Mt Taranaki at twilight, from Junction Rd

38. Mt Taranaki at twilight, from Junction Rd

Finding depth in a wide angle view; the challenge of a square format

30. Foreshore wind-wand at night, New Plymouth

30. Foreshore wind-wand at night, New Plymouth

A subject in motion against a moving background; tungsten one last time

24. The rock Paritutu at night

24. The rock Paritutu at night

Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

A moonrise after dark; waiting to see something appear in the viewfinder

16. Moonlit Moturoa from Back Beach, at Paritutu

16. Moonlit Moturoa from Back Beach, at Paritutu

The big camera out on a wind-swept beach, well before full moon.

15. Leaving Port Taranaki at midnight

15. Leaving Port Taranaki at midnight

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

14. Moonlit mountain from Kent Rd, Taranaki

14. Moonlit mountain from Kent Rd, Taranaki

Swirling cloud in intermittent moonlight; problems with viewing in the dark and high ISOs.

12. Moonlit mountain from Paritutu, New Plymouth

12. Moonlit mountain from Paritutu, New Plymouth

A last shot before the clag closed in; moonlight balanced with a floodlit pylon.

8. Rustic evening near Omata, Taranaki

8. Rustic evening near Omata, Taranaki

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

6. Twilight at Te Rewa Rewa bridge, Waiwhakaiho, New Plymouth

6. Twilight at Te Rewa Rewa bridge, Waiwhakaiho, New Plymouth

The madding crowd stayed only till sunset. Deep twilight is close to moonlight in exposure terms.

5. Stony River (Hangatahua) by moonlight, Taranaki

5. Stony River (Hangatahua) by moonlight, Taranaki

On the last evening of summer, a clear view from a wild river of the mountain bare, in oblique moonlight.

4. Twilight view from South Rd, New Plymouth

4. Twilight view from South Rd, New Plymouth

City lights and headlights with a mountain backdrop: balancing picture elements in the fast-fading light of day.

1. Mt Taranaki under full moon

1. Mt Taranaki under full moon

Making the most of a break in the weather; mixing the sublime with an electric fence.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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