telephoto

59. Moonlight without shadows

59. Moonlight without shadows

Heavy cloud cover streaked with moonlight; the timelessness of unlit waters

40. Nightfall in blue at Waiwhakaiho

40. Nightfall in blue at Waiwhakaiho

A tungsten study aided by a surprise arrival; using flash with long exposure at twilight

39. Mt Taranaki at night, from Centennial Drive

39. Mt Taranaki at night, from Centennial Drive

Electricity on the march, on a moonless night; long exposures and the ISO factor.

30. Foreshore wind-wand at night, New Plymouth

30. Foreshore wind-wand at night, New Plymouth

A subject in motion against a moving background; tungsten one last time

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

A moonrise after dark; waiting to see something appear in the viewfinder

22. Te Mata moonrise, Hawkes Bay

22. Te Mata moonrise, Hawkes Bay

Photo ops on the evening before full moon; the three-punch theory of composition

21. Wind-blown trees and a long exposure by moonlight

21. Wind-blown trees and a long exposure by moonlight

Daylight effects and the blur of the wind. Scope versus depth: a hard choice.

10. Moonlit surf on the Boulder Bank, Nelson

10. Moonlit surf on the Boulder Bank, Nelson

An invisible line of surf on a rocky shore; getting close enough but not too close.

8. Rustic evening near Omata, Taranaki

8. Rustic evening near Omata, Taranaki

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

6. Twilight at Te Rewa Rewa bridge, Waiwhakaiho, New Plymouth

6. Twilight at Te Rewa Rewa bridge, Waiwhakaiho, New Plymouth

The madding crowd stayed only till sunset. Deep twilight is close to moonlight in exposure terms.

4. Twilight view from South Rd, New Plymouth

4. Twilight view from South Rd, New Plymouth

City lights and headlights with a mountain backdrop: balancing picture elements in the fast-fading light of day.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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