40-minute exposure by muted moonlight, where film still has the upper hand
Two minutes in the twilight; highlighting a volcanic bomb
Simple imagery; it pays to look around the back
A seasonal opportunity by the full moon; adjusting computer screens and camera playback viewers
An orchard close-up and work for saints; slow film, depth of field and colour shifts
A cabbage tree lit up from an unlikely source; star movement, lens choice, colour casts
Monochrome peak-and-pines at a road end; composition and the continuing lure of square format
In praise of pink; a secluded suburban waterfront and the challenge of the night-lit city
Colourful star trails and a meteorite on film; digital disadvantages with extended exposures
At close range at night with medium format; a monochrome study in tints
Full moon in low-rent country, West Coast, without banjos
Experimenting with long exposure on a slow and unusual film, on a drizzly night
Wide angle vertical composition; depth of focus and a figurine
A moonrise after dark; waiting to see something appear in the viewfinder
Daylight effects and the blur of the wind. Scope versus depth: a hard choice.
In a leafy Auckland suburb, an uncommonly “short” long exposure gives iconic silhouettes.
Making the most of a break in the weather; mixing the sublime with an electric fence.