Hope is a good breakfast, but it is a bad supper. –  Francis Bacon Contrary to Bacon, as a night photographer my hopes rise at supper. The new moon is not visible until the sky darkens, well after sunset. This moon always needs a supporting cast, to add both human scale and pictorial interest; here […]

[The object of art is] to make eternal the desperately fleeting moment. –                    Tennessee Williams The trick with any arc of headlights is to minimise the full-on glare of the lights, something likely to occur at some point in your frame. Here in the second frame from a moonlight sequence you see a short space […]

Everyone complains of his memory; nobody of his judgement. –  Francois de La Rochefoucauld When setting this up I wasn’t certain I was on a public road, but according to Google this is Cook Road, overlooking Waimarama on the coast. No vehicle came by the whole time, but traffic was regular on the main road […]

I don’t sing because I’m happy. I’m happy because I sing. – William James Ratapiko is a small hydro lake near the edge of the Taranaki ring plain, about 40 minutes northeast of New Plymouth, in a quiet country district. Quiet on a winter’s evening at least, as in season Ratapiko is popular for boating […]

The real voyage of discovery consists not in seeking new landscapes but in having new eyes. – Marcel Proust Out for an evening’s recreation, I soon noticed these poplars on the fringe of New Plymouth. They are lit by the rising moon and distant street lamps, as well as the lights of a neighbouring school, […]

When inspiration arrives I want it to find me working. –  Pablo Picasso “Some highway” means that I do not know exactly where this was taken. On Easter holiday near Tongariro National Park (central North Island), we were off for a drive-about, on the night before full moon. Here we might be on the Turangi […]

Twilight has one simple and obvious advantage over night photography: you can see what you are doing. You can focus by eye or auto, and compose quickly. You have a wider range of exposure choices, to allow or prevent movement showing, for example, without the sacrifice in aperture selection that workable shutter times need at […]

NEWS: The above image is one of about 50 of mine which have just been published in a free ebook of quotations by Hannah Samuel, public speaker, author and mentor, of Auckland. The Pocket Book of Men’s Wisdom, Volume 1 is a compilation of quotes from Kiwi men associated with Big Buddy (www.bigbuddy.org.nz), a mentoring […]

A companion piece to no. 107. Twilight tractor (and taken 6 minutes later), this electric call to good order conveys another mood. Existentialists may freely dwell on it. Outside the Waikanae boat club 45 minutes after sunset, the balance of light was changing in favour of artificial light. A star is visible in the nightfall. […]

We waved the torch over nearby palms on our way back from Gilbert’s Beach, at Te Hapu (www.tehapu.co.nz), a remote cattle station in Golden Bay. On a wide angle lens it is easier to stop the stars, which were more visible with the moon being blotted out by a cloudbank. Having selected Direct sunlight light […]

Long exposure outdoor portraits: problems and solutions

Heavy haulage outside the boat club; beast and beauty of the tripod

A low angle on the plain and a karaka grove; company and constraint

Self-portrait in gumboots, in a daylight effect; multiple personas using layers

Vertical grace and green against a starry sky; the search for critical focus

Streaks of unexpected colour on a moonless night; “It must be film!”

Simplicity and multiplicity; vertical frame with a wide angle

Close-ups by the hour at home; vertical frames and wan moonlight

Garden flowers in full spectrum colour at maximum aperture; torch-aided focus.

Twilight use of flash; subtlety, instantaneity and their opposites

The female form revealed on film; a summery advent of moon rays

Silver surf and f16 on the beach; handling difficult focus by using a small aperture

A twilight twist from the Chateau; telephoto and perspective

Simple forms and shadow effects; street lighting used with wind-blown moonlight

30 seconds in the life of waterfowl; balancing harsh and hand-crafted lighting