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188. Summer’s night, Westhaven Inlet

188. Summer’s night, Westhaven Inlet

Summer’s night, Westhaven Inlet. 11.17pm, 10 January 2012 Everything in life that we really accept undergoes a change.  –  Katherine Mansfield 50mm, ISO 2000. 170 secs at f22. Flash.

183. Swans unseen, before midnight

183. Swans unseen, before midnight

 When we are unable to find tranquillity within ourselves, it is useless to seek it elsewhere.  –  de La Rochefoucauld 85mm, ISO 2000. 4 secs at f2. 5000 deg K

179. Moonlight from a hilltop

179. Moonlight from a hilltop

Through the friendly silence of the soundless moonlight. – Virgil 50mm, ISO 500. 30 seconds at f16. Flash

178. Midnight view to the beach, Paturau

178. Midnight view to the beach, Paturau

The love of life is necessary to the vigorous prosecution of any undertaking. – Samuel Johnson 50mm, ISO 2000. 13 seconds at f8. Flash

162. Kapiti moonlight: Bright shore

162. Kapiti moonlight: Bright shore

Live as long as you may, the first 20 years are the longest half of your life.  – Southey A composition in classic thirds. The quote is personal, referring to my first return to Waikanae Beach since spring 1976, with some ardent memories attached. Youthful impressions can be deepest on the sand! Bright shore means […]

160. Spring moonshine: Free performance

160. Spring moonshine: Free performance

No state of affairs is ever perfect. –  Horace On a mild spring evening a slip of a moon comes down the starry sky to a calm sea. What a marvellous programme! A bench seat was provided but there was no admission charge,  applause or intermission – and no commercials. Truth be told though, I […]

157. Mary and Child by full moon

157. Mary and Child by full moon

One forgives as much as one loves. –  La Rochefoucauld The old water reservoir at Nelson is a peaceful place for pic-spotting by the moonlight photographer, in part because access to it is through a motor camp. It may be needless to say, but when you’re out at night it’s important to feel safe so […]

155. Three lights at Paritutu

155. Three lights at Paritutu

Three lights at Paritutu, New Plymouth. 9.36pm, 10 September 2011 I have memory, which is the idiot’s talent. –  Francisco Umbral The three lights are moonlight (at sea), nearby industrial lighting and flash for the foreground. This shot has a cool feel because the incandescent (tungsten) setting was used to cool the light on the […]

153. Marahau before moonrise, Abel Tasman coast

153. Marahau before moonrise, Abel Tasman coast

Somehow to capture the constantly evanescent quality of existence. – Tennessee Williams, on his goal in writing It can be a pain to wait for the moonrise on those nights following full moon – although you do get some quality time with undimmed stars and the odd cloud capture. Eventually the eastern horizon lightens and […]

147. Hawkes Bay from Awatoto, by moonlight

147. Hawkes Bay from Awatoto, by moonlight

Good sense travels on well worn paths; genius never. –  Cesar Lombroso The skies were clear but the wind was howling as I set up on the cycleway, across the way from the fertiliser works near Napier. Any shot that I failed to shelter from the windgusts was useless, so I hovered as close to […]

145. Surf and moonlit clouds, Taranaki

145. Surf and moonlit clouds, Taranaki

Never confuse activity with action. –  F. Scott Fitzgerald 28mm, ISO 2000. 2.5 seconds at f2.8. Incandescent light balance, flash

140. Saltwater lagoon by moonlight

140. Saltwater lagoon by moonlight

137. Moonlit lagoon, winter

137. Moonlit lagoon, winter

It is only with the heart that one can see properly; what is essential is invisible to the eye. –  Antoine de St Exupery Although my heart is in this place, in this case I saw by ear, as the swans weren’t visible by moonlight. However they were very audible, and other wetland birdlife also […]

136. Crescent moon signature, Port Taranaki

136. Crescent moon signature, Port Taranaki

The desire for safety stands against every great and noble enterprise. –  Tacitus You do not have the whole evening to shoot the crescent moon – it retires early. While it’s going, though, the crescent obliges the moonlight photographer on western coasts with some great reflections. The actual light from a crescent appears to be […]

133. Trail and beach

133. Trail and beach

I say have patience, and shuffle the cards. –  Miguel de Cervantes, 1615 From the 153 m (502 ft) summit of Paritutu, the volcanic landmark backing Port Taranaki, the coastal outlook to Oakura is affected nightly by industrial lighting. Here we look down on Beach Road, leading to a well-lit tank farm but with little […]

132. All along the watchtower

132. All along the watchtower

All along the watchtower, princes kept the view; While all the women came and went, their foot-servants too.  – Bob Dylan The surreal song lyric [misquoted on the web] fits this enigmatic view from the waterfront pavement at Kaikoura, in the South Island. The scale is ambiguous and the light unusual, but at least more […]

131. Kaikoura moonrise, no. 2

131. Kaikoura moonrise, no. 2

Tomorrow we shall set out once more upon the vast sea. –  Horace Moonrises after dark indicate the moon is past full, and these moonrises, especially, need a frame of reference. They benefit from foreground interest, in this case from outcrops alongside the wharf at Kaikoura, on the east coast of the South Island. It’s […]

123. Silhouette in gold, Back Beach

123. Silhouette in gold, Back Beach

You can boost minimal moonlight by using its reflection for a silhouette – another way to employ the wan light of a slender moon. “Moonlight photography” for me means not photographing the moon itself (another subject entirely), but rather making pictures by its light. The term is freely abused by amateur photographers. For a sharp […]

113. Night at the saltwater lagoon, Waikanae

113. Night at the saltwater lagoon, Waikanae

Moonlight and urban glow at Waimanu; digital ergonomics vs film cameras

112. Beaming down on the Boulder Bank

112. Beaming down on the Boulder Bank

The vacated frame and its variables: ghosting by pure moonlight

109. Moonlit calm, Kaikoura

109. Moonlit calm, Kaikoura

Inshore study in gold and aqua under a full moon; ideal exposure and post-process rescue

107. Twilight tractor, Waikanae

107. Twilight tractor, Waikanae

Heavy haulage outside the boat club; beast and beauty of the tripod

106. Painted cove, Taupo

106. Painted cove, Taupo

Effective light painting with mixed sources, using very high ISO

105. Night tide at Kaikoura

105. Night tide at Kaikoura

Moonlit abstraction on the square; Light balance selection with mixed sources

102. Stony twilights, Taranaki

102. Stony twilights, Taranaki

Uncommon natural lighting with an extra touch

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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