water
98. Electric night, Golden Bay
Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant
96. Twilight at half moon, Te Hapu
An unexpected colour at second quarter; a wild coast made easy for the townie
95. Kaikoura evening
Moon and artist’s cloud over no. 2 shellfish processing factory; wide angle and mixed lighting
94. Kaikoura moonrise
Dramatic study in amber, green and blue; composition using the foreground in a classic thirds
93. Kapiti evening, heavy cloud
Full moon, full cloud; adding foreground highlights with Incandescent and an LED torch
91. Half-lit shadows by the rising moon
Simplicity and multiplicity; vertical frame with a wide angle
90. Purakaunui Falls by moonlight
40-minute exposure by muted moonlight, where film still has the upper hand
89. Nightfall at Acacia Bay
Two minutes in the twilight; highlighting a volcanic bomb
80. Rotomanu evening contrasts
Twilight use of flash; subtlety, instantaneity and their opposites
76. Moonrise at Long Bay, Auckland
The female form revealed on film; a summery advent of moon rays
75. Blue note at Oakura Beach
After midnight, the search for illumination continues, in a translucent sort of way
74. Moonstruck coast at Oakura
Silver surf and f16 on the beach; handling difficult focus by using a small aperture
70. Rapids at the tidal limit, by moonlight
The fall – and rise – of water over 2 minutes; unusual soundtrack of a cascade silenced
58. Taupo at night, from Acacia Bay
In praise of pink; a secluded suburban waterfront and the challenge of the night-lit city
25. Holy Virgin & Infant, Brook Reservoir, Nelson
A surreal study with a figurine; flowing water effects by long exposure.